SOLD OUT IN EUROPE, AVAILABLE IN NORTH AMERICA
A book of text and image, My Birth interweaves photographs of the artist
Carmen Winant's mother giving birth to her three children with found
images of other, anonymous, women undergoing the same bodily
experience. As the pictorial narrative progresses, from labor through
delivery, the women's postures increasingly blend into one another,
creating a collective body that strains and releases in unison.
In addition to the photographic sequence, My Birth—a facsimile of
Winant's own journal—includes an original text by the artist exploring the
shared, yet solitary, ownership of the experience of birth. My Birth asks:
What if birth, long shrouded and parodied by popular culture, was made
visible? What if a comfortable and dynamic language existed to describe it?
What if, in picturing the process so many times over and insisting on its
very subjectivity, we understood childbirth, and its representation, to be a
My Birth, coincides with Winant's on-site installation at the Museum of
Modern Art's Being: New Photography 2018. The complimentary projects
were conceived of together, directly following the birth of the artist's first
child and while she was pregnant with her second.
Carmen Winant is an artist and writer. In 2018, she will be participating in
the group exhibitions Being: New Photography at the Museum of Modern
Art, Another Echo at the Sculpture Center (NY), and a yet-to-be titled
show at the Columbus Museum of Art; solo exhibitions will take place at
Miller Contemporary (NY), Stene Projects (Stockholm), and Cave (Detroit).
Winant regularly contributes to Aperture, Cabinet, Time, The Believer, and
Frieze magazines, and is at work on a book about the nature of practice.
Publication date: March 2018
Format: Softcover + poster dust jacket
Size: 22 x 30.5 cm
Number of pages: 120
Type of printing: Offset
Interview by Laura Regensdorf, Vogue
Review by Philip Gefter, The New Yorker
Interview by Brad Feuerhelm, American Suburb X
Review by Olga Yatskevich, Collector Daily
Interview by Eva Clifford, BJP
Review by Colin Pantall, Photographic Museum of Humanity
Review by Alicia Kroell, Hyperallergic